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Dark Castle

Doom and Sludge seems the underground equivalent of Metal - Death Metal to be. For a few years back a major bubble penetrates straight to the old and new bands to the surface. But especially during the deathcore bar still seems to make a quick buck and 08/15-Bands like Suicide Silence continues over hyped as the next big thing will be available to the Doom / Sludge wave of great substance and quality as the right to all variable stylistically. While the Savannah-band at Kylesa and Baroness increasingly Psych and also served progressive rock, Torche now play almost a sludge-pop and even classical Doombands as Pentagram and Saint Vitus are to meet again, have let many other heavily influenced by Neurosis and their imitators. Dark Castle are probably most likely still in the last group, a post rock influence as he was last and more popular, can not find nonetheless. Playing with the loud-soft dynamics reminded, especially in the quiet moments and in the vehemence with which it is presented here, can of old Neurosis, the doomy riffs and absolutely nasty "song" by Stevie on the last Yob- monolithic thinking. Dark Castle to be something special but by repeatedly interspersed psychedelic sprinklings and interludes that make the following Doomwalze then appear really destructive. created only with guitar and drums armed Dark Castle Sun meter-high sound walls that are sometimes so dark so that Shagrath and co. is probably driven without corpse paint the corpse pallor in his face.

Myspace: http://www.myspace.com/darkcastlemetal

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Swing to the symphony of destruction: Hellsongs

With Cover albums it's usually such a thing. Often the protagonists to the song but to miss their mark, far from the original removed, however, almost never. Unlike at Hell songs that at first glance are even entirely as a cover band on the road. The three Swedes have made to the now-four publications that can demonstrate it, old rock and metal classics, to make them appear in its own special light. They undress all the pieces to their hardness, so they can be transferred in Singer / Songwriter numbers. "Lounge Metal" is then the appropriate self-description. The originals can be seen here again really only on the basis of the text. In the verses take Hellsongs all freedoms and in the choruses may indeed be the dominant melody lines used, but so are transferred to their style, that it will necessarily only at the second hearing will recognize. This is now listening to the two LPs and EPs to rate lively hour. Europe's party hit "Rock The Night" is "we're not gonna take it" to a gentle lullaby and Dee Znyders punk classics in a form of feminist liberation anthem. More threatening than the original acts at early Slayer "Seasons in the Abyss." And Iron Maiden "The Trooper" is a haunting indictment of the horrors of the Crimean War. If Harriet Ohlsson extremely economical instrumentation for the opening lines "You take my life, but I take yours too" breathes, is one, as later in "Run to the Hills" only aware of what great lyrics for this rather than force party classic songs actually. Megadeth's "Symphony of Destruction" is in turn enhanced enormously by the winking and slightly sarcastic lecture. But rather that there are fans and scoffers at work, one notices anyway in every note. The loving arrangements show the old hits from a new perspective, which in some moments, as in the said Megadeth Helloween's classics, or even make "Eagle fly free", even the originals in the shade. The end came just

album "Minor Misdemeanor" where are the new singer Siri Bergnéhr their cost, can not quite with the debut and last year appeared to end EP compete "Pieces of Heaven, a Glimpse of Hell", but with the great interpretations of "Skeletons of Society" and "Heaven can wait" are two hits on board, you absolutely the best in "Hell Songs "can count. And a better cover of "Schools out" I've actually never heard. Very well done and above all, sympathetic above.

Myspace: http://www.myspace.com/hellsongs

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Mares Of Thrace

Pretty hard stuff to play the two women here. The instrumentation is basic points: a guitar, drums, a few effects and voice. But they produce but quite a wall of sound. The self-description of "two women technoisesludgedoomcore assault" makes quite the nail on the head. Somewhere between Sludge and Doom Mares of Thrace play a boot, the more times reminiscent of the great Dark Castle (in the slower moments) and then goes in the direction of Black Tusk or Akimbo. Sometimes, very thrilling, but sometimes, as so often in this genre, a little monotonous. Let's see how the still developing. But in many moments Thérèse and Stefani shows already all tough guys ne what is ordinary rake.

Myspace: http://www.myspace.com/maresofthrace

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Kvelertak

After a long time, especially a long-made and still unrealized Jahrespoll, but again a sign of life from the desert. The occasion is the Coliseum-Kvelertak-Bison tour, which will, in the near future in our country for appropriate destruction, in particular Kvelertak not considered wrong as newcomer of the year for the highest level of anticipation are Responsible. Their origins in the Turbojugend are not to be missed. While Hank and co. But since "Apocalypse Dudes", like their Swedish brethren in the spirit of the Hellacopters rather than make Assi Kiss-Rock, at Kvelertak can still smell the whiskey-breath through the speakers. But the second big cultural export in Norway has left its mark in the sound of the sextet. Especially the opener but has a nasty black metal list and during the remainder of the plate shows that Darkthrone "A blaze in the northern sky" is related to just the guys in the top shelf as the aforementioned classic. If The Crown would not soon be celebrating their comeback, you could almost think that Osfelt be intermittent field of Stolen Policecar to a black metal band has turned into. A certain kinship between the Swedes and Kvelertak can not be brushed aside. With a Augenzwinker recited stories like "Offernatt" or "Sultans of Satan" in any case also had a mythical album like "Death Race King" confessed to shame. If the band manages the energy of the plate and transporting live anywhere near, you are in for a quite break-neck evening. Probably the consensus band of 2010.

Coliseum, Bison BC, Kvelertak


07/11/10 - CZ - Prague - 007
08/11/10 - DE - München – Feierwerk
09/11/10 – DE – Berlin – Cassiopeia
10/11/10 – DK – Copenhagen – Beta
12/11/10 – NO – Oslo – Garage
13/11/10 – SE – Stockholm – Cafe 44
14/11/10 – DE – Hamburg – Hafenklang
15/11/10 – DE – Giessen – MuK
16/11/10 – NL – Venlo – Perron 55
17/11/10 – UK – London – Underworld
18/11/10 – UK - Stoke on Trent – Sugarmill
19/11/10 – UK – Glasgow – Ivory Black
20/11/10 – UK – Leeds – The Well
21/11/10 – UK – Norwich – The Marquee
22/11/10 – NL – Tilburg – 013
23/11/10 – BE – Antwerp – Trix
25/11/10 – DE – Karlsruhe – Jubez w/Shrinebuilder
26/11/10 – FR – Paris – tba
27/11/10 – CH – Martigny – tba
28/11/10 – DE – Saarbrücken – Garage
29/11/10 – CH – Zürich – Dynamo
30/11/10 – IT – Milano – Magnolia
01/12/10 – IT – Bologna – Locomotiv
03/12/10 – DE – Rosswein – Juha
04/12/10 - DE - Essen - Julius-Leber-Haus
























Myspace: http:/

/ www.myspace.com / kvelertak

http://www.myspace.com/coliseum

http://www.myspace.com/bisoneastvan